
Konstantinos Antonios Goutos cerca e trova in rete una serie di stereotipi ed eccellenze storiche sulla citta di Genova , questi stereotipi insieme a testi, foto, canzoni, film, siti internet da e di Genova, dei genvesi o degli ospiti della citta saranno la base per una sua flanerie "verticale" in quanto [video]flaneu® nella citta di Genova.
"Quando arriverò con la mia camera nella citta e comincerò a sentire , vedere , annusare , assaporare e ascoltre i ritmi , i colori , le strutture , le architetture , le donne , i bambini , le luci , il cibo allora li inizierà il mio flanerie "orizzontale" attraverso la città".
Le riprese video andranno a giocare tra queste due diverse modalità di incontro :
a volte esse daranno ragione agli stereotipi , a volte li ironizzeranno, a volte mostreranno esattamente l'opposto.
In ogni aso il [video]flaneu® andrà a giocare con la città , con se stesso , con i genovesi , con i turisti , con le altre azioni o attori di NOPASSWD n°0 e il risultanto sarà meraviglioso .
english version
The stereotypes from above, together with texts, fotos, songs, films, websites
from / or about this city from natives or guests persons of the city past,
are the base of the “vertical” flanerie of me as a [video]Flâneu® in the city of Genova. When i'll come with my camera in the city and start to feel, see, smell, taste and hear the rythm, the colours, the structures, the architectures, the women, the childs, the lights, the foods, then starts the “horizontal” flanerie of me on / through the city.The video-takes of my camera are going to play between this two different ways of meeting: sometimes they “aproove” the stereotypes, sometimes they ironised them, sometimes they shows exactly an opposite to the stereotypes.
(Strange abstractions, unusual selfportraits can also happens..;-)
In every case it is a beautiful and unique playing situation: Only there, only in this city, only at this particular moment of space you can have the video-takes that you `ve got. Sometimes (probably always), the particular video-take it is “born” because the [video]Flâneu® and his camera is there: People “plays” on the front of a camera, reacts in a different way, not exactly like the moments where is there no camera. And this, whithout to try, unconsciously, “natural”...
If, now, you have someone like me, on the back of the camera, someone who stays there without any movement sometimes for more than 10 minutes (!), someone who also never talks with his “objects”, someone who looks like a statue, or like a street artist, or like a perfomer, or like “some stupid guy who needs 10 minutes to push the rec button”(!), then the reactions of the “objects” are more normal, or completely strange(.!?)
In every case: The [video]Flâneu® is going to play with the city, with himself, with the natives, with the tourists, with the other actions or acteurs of the festival and the result is going to be marvelous...
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